Author Archives: The Editor

About The Editor

Unknown's avatar
I write words about things I care about and hopefully you'll care about them too when I'm done.

March the Fourth Be With You!

Thank you to everyone who has visited Given To Sound, especially if you have done so in the last few hours because you have helped set the highest reader / visitor numbers since 2007. The previous best figure has been more than doubled  tripled as of end of day , making 4th March 2011 a kick-ass day and me one very happy person.

There’s new stuff up I’m incredibly proud of but most of the attention is because of the Christian Kane stuff so HUGE thanks to Kaniacs (and I’ve seen the stats to prove it).

I’ve sat and written words that get nowhere, it’s only right to point out when some words get everywhere. It’s a pleasure to write about Chris and I know there will be more to say, somewhere down the road.

In the meantime, there’s more music to hear and more words to write. Working hard on new articles that are going to be here very soon.

Peace, Love and Soul – Simon xxx

Continue reading


Christian Kane’s House Rules, No Doubt

The wait was nearly over; “I can do it, I can do it, I can actually ring up the radio station and request a song off it!”

That was the message emailed to me by an aquaintence in December. Christian Kane’s major label debut (second first album, if you like) had release dates and it was all official. There was  a very big feeling of “At last” in the air.

At last, the album everyone’s wanted has arrived.

At last, when you type in Christian Kane’s name in Amazon there’s an album alongside the television stuff (and not Live Fast Die Never – Angel Soundtrack)

AT LAST wider circles of people will be able to hear what Kaniacs have been saying for years. It’s not important when you walked into the house; it’s that you found your way there.

Continue reading


George Harrison – All Things Masterpiece

All Things Must Pass

We really should thank our sweet Lord that the song writing partnership of Lennon and McCartney frustrated George Harrison in the later, troubled years of that band they were in. You know that band; you’ve heard of them, I’m sure. There was John, Paul, George and that guy who voiced Thomas the Tank Engine and doesn’t do autographs anymore (peace and love, peace and love). The Beatles.

To quote Lennon, he and Paul “carved up the empire” between themselves because at first George wrote one throwaway song for each Beatle album and by the time he got good, the group was losing interest in being ‘fab’. This frustration at being overlooked is something that Harrison turned to his advantage. When the time came to deliver the statement that was his debut solo album; All Things Must Pass (1970), he had a huge backlog of songs to include.

I’d Have You Anytime was written whilst hanging around Bob Dylan after the unhappy White Album sessions with those Beatles. Whilst Dylan wrote some of the lyrics it’s perfect musical representation of Harrison because it features George’s favourite chords, or in Tom Petty’s words ‘the naughty chords’; diminished and augmented that just drip from the song beautifully.

Continue reading

Elbow – Cast of Thousands

The second string to the Elbow came in 2003. Two years on from that second first album and with more than a few people looking in their direction to see what was going to come next from this band; Elbow seem to deliver contrasts. They create a universal intimacy which is evident in spades on Cast of Thousands along with a feeling that now they are reaching an audience and they know it (quite literally when you remember that the crowd at their Glastonbury performance sings on Grace Under Pressure).

Ribcage opens the album and seems like Any Day Now, Chapter 2. The band have got out of town, on the road to where they want to be going and there is a great contrast that they “blew the doors, didn’t we? Pissed in their champagne…gave ourselves a name”.  You can’t blame Mr. Garvey and the other ‘elboys’ for showing some elation following some time wondering if their time in the spotlight was going to happen. “I wanted to explode, to pull my ribs apart and let the sun inside!”

They do that and then some. This track takes off with an almost hypnotic drumbeat, mantra-like repetition and a Gospel choir for good measure. The boys are nothing if not ballsy in working out what else they can add to a recording to give it the right feel. Gospel choir? Why not! Sing through a tambourine? Give it a go! But at the point where it is all getting big, we’re again pulled down to earth by the boys because while they “blew the doors”, they are still rooted in the everyday; Universal intimacy.

“We call that love, All you have is kisses and all I need is you.”

Fallen Angel is a stomp with interesting lyrics warning about things that are waiting to “bear their teeth for you” and a good guitar part. To me the song is about or to someone who is down on their luck and who is not quite seeing the light at the end of the tunnel. Fear not though, reader and listener, for a ‘gee up’ comes in the form of song…

Drag your feathers ‘cross the dancefloor, throw your shapes  electric blue. Don’t fall to pieces on me.

We’ve all had those moments where we’re told to keep our head up, best foot forward n’all that, “choose your favourite shoes and keep your blues on cruise control”, tomorrow is another day. Paul McCartney said that when he found himself in times of trouble, Mother Mary came to him… this perhaps hits on the same vein but more to the point.

“…count back the weeks on worried fingers, virgin mother whats’erface”

Brilliant.

  Continue reading


Scissor Sisters – Filth Never Sounded So Fab!

Maybe it’s just me but it seems in fashion right now to completely record an album, hate it, bin it and start again. The Scissor Sisters’ ‘Night Work’ owes much to the fact that Jake did one to Berlin when the original recording sessions didn’t provide the sounds that the band wanted.

Continue reading


Design a site like this with WordPress.com
Get started