Tag Archives: September

John Lennon’s Imagine.

In May 1971 John Lennon assembled some musician friends at his home studio in Ascot and began the main sessions for what would become the follow up album to Plastic Ono Band. As with his last album Phil Spector was invited to take on production duties and while Klaus Voormann did return, this is a grander affair than the three piece we heard in 1970. The band for the Imagine sessions at various times includes Nicky Hopkins on piano, members of Badfinger on acoustic guitars, Jim Keltner, Jim Gordon and Alan White on drums, and members of the New York Philharmonic orchestra on strings. George Harrison provides some quite beautiful moments on guitar, which is interesting as we remember that in 1970 the pair seemed, ideologically at least, quite far apart; Harrison was singing about his sweet lord while  John was busy denouncing all false prophets in songs like I Found Out and God. Plastic Ono Band was recorded from September to October 1970 and the sessions for All Things Must Pass concluded in late October, so at times both men were in Abbey Road at the same time, a studio room away from each other but in very different places.

On his second album, John Lennon attempts to paint on a wider canvas and he gives himself many more colours to create with.

Continue reading


Elbow – Leaders of the Free World

Approaching Home

Home is where the start is for Elbow, on Leaders of the Free World.

piccadilly

When you’ve written about wanting to get somewhere and you’ve written about what you feel like when you’ve got there, you’ve got to find your way home. Elbow do this with a stomp and a wink with Leaders of the Free World (2005). Whereas they certainly needed grace under pressure to complete Cast of Thousands, the band had learnt that the right approach this time was to capture ideas as and when they happened on the road, whenever and wherever inspiration hit them.

The band manage to channel the ideas into a collection that has a very developed sense of place and environment, this is very clear in the opening track. Station Approach is about coming home to Manchester (station approach, Piccadilly station) and literally knowing the area well and being at home. The listener is not excluded if they happen not to live in this city, because Guy Garvey’s lyrics can apply to anyone wherever they are listening. Three albums’ in, the universal intimacy is something they have perfected.

Continue reading