This concert, on 14th December 1986, before eleven thousand people in the Sydney Entertainment Centre, was the last in a series of twenty seven performances covering all of Australia… You are joining the concert after the interval, just as the eighty eight-piece Melbourne Symphony Orchestra is heard and seen for the first time on this, the last night of the tour…
There are absolutely no overdubs on this album.Taken from the liner notes of the album, released in 1987.
Those words give this performance quite a build-up, don’t they? Twenty seven performances covering all of Australia, an eight eight-piece orchestra behind him, the last night of the tour. It was reportedly the first time anything like this had been attempted by a pop or rock artist and it took months and months of rehearsal, Elton himself paid a heavy price for this performance. During the tour, which began in in Brisbane on November 5th, specialists discovered nodules on his vocal cords, and he would go for surgery on them within a month of leaving this stage. Elton has since said that there was a very real fear that the last song he sang that night in December ’86, would be his last ever; Don’t Let The Sun Go Down On Me was then, a rather fitting choice.
Leave a comment | tags: 1986, 1987, Charlie Morgan, Davey Johnstone, David Paton, December, Elton John, Fred Mandel, Gus Dudgeon, James Newton Howard, Jody Linscott, June, Melbourne Symphony, Paul Buckmaster, Ray Cooper, Sydney Entertainment Centre | posted in ...They Broke The Mold, Live Music
This Is Not A Dark Ride
Tunnel of Love’ was Bruce Springsteen’s first studio offering since 1984’s ‘Born in the USA’. That album catapulted the man to the platform of mega stardom and created hype that, unlike with Born to Run, Springsteen was happy to go with. For many that image of Springsteen is the one that they remember and during that whirlwind tour of 1984-1985 he married. Bruce Springsteen had made it to the top of the mountain with the previous album and to everyone he was a hero. The next album is all about the man behind the image, finding out who that man was and living the married life. It may not have sold as many as its predecessor but to many, myself included 1987’s ‘Tunnel of Love’ is a stronger collection of songs and the concept behind it is truer and more lasting simply because there is no concept. Nothing on ‘Tunnel of Love’ is manufactured because Springsteen ‘needed a hit’, nor is any part of it re-packaged in a bolder brassier arrangement because that would sell more. Throughout this album you get the sense of a man stripped of the image, learning to deal with life’s issues like the partnership of love and marriage and how much it takes to make that work and, ultimately what to do when it isn’t.
1 Comment | tags: 1987, A&M Studios Hollywood, Bruce Springsteen, E Street Band, New Jersey, October, The Hit Factory NYC | posted in Bruce Springsteen