Author Archives: The Editor

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I write words about things I care about and hopefully you'll care about them too when I'm done.

Elbow Tour 2014 – Newcastle Part 2

Polishing a Compass

Last night was really good, the band seemed happy to be back on stage and Mr Garvey was truthfully in the best vocal form I’ve heard. I heard a while back that songs like ‘Powder Blue’ were dropped from the set coz Guy couldn’t hit the high notes. I can only think that’s bollocks because he sang so well last night.

They played the ones most would have picked from older albums and of course they cant get away without playing ‘One Day Like This’. Unpopular opinion alert, maybe, but I could live happily never hearing that song live again. Guy and the ‘gang’ approach it like its the first time they have ever played it. I’ll never forget that night during the homecoming Manchester gig on the Seldom tour, a couple literally sat there sighing with boredom until One Day inevitably closed the night complete with ticker tape and all that. Upon hearing the familiar stringed introduction, the guy in this double act flung his arms in the air like Kevin the teenager and shouted ‘at last, gawwwwd’. Why bother buying tickets at all? It was probably a date. I hope she gave him nowt.

I’m sat here watching the wheels go round and round, and speaking of Lennon; ‘New York Morning’ soared live. Even in the ratty O2 academy. Guy likes to get his northernisms in but folk and Yoko makes me chuckle. John Lennon was hounded out of England and embraced by New York. Let’s let them have Guy for a bit, but then can we have him back?  Cheers. Lennon said it himself though, if he had lived in the Roman empire  he would have wanted to live in Rome. America is the new Roman Empire and New York is Rome itself.

‘My Sad Captains’ is beautiful as I knew it would be but I feel I also have to mention songs that went over my head from Build a Rocket Boys; ‘The Birds’ has more about it for me now. It’s got bollocks now. Maybe it always did but last night I got that one. Another from that ilk is ‘The Night Will Always Win’. Guy said it was about not missing people at night. I finally get that one too, you can fake it and get through the day but it will get you at night, ‘never by the moon’. Listen to the words. In not unrelated news, my nan died recently. I do miss her face and her home truths. Anyway.

I’m sat here speeding back to Prestwich talking about Elbow with Gaz the driver. He loves the new album and specifically ‘New York Morning’ and ‘My Sad Captains’. He describes ‘Real Life (Angel)’ as fantastic. Itwas apparently worthy of repeat status last week. Gaz is also full of praise for ‘Honey Sun’.

The return trip is kicking the first trip’s mega bus dot com arse.

It will be interesting to see what gets added or dropped by the time I see them again a few days from now in the people’s republic of Mancunia. There didn’t seem much to iron out, a few false starts and music scuffs but nowt to right home about, although I guess I did just that, yes well.

I want me bed. I want sleep. I want hot vimto and mushy hot  weetabix and I want to remember hearing Guy sing ‘Puncture Repair’ and exactly how spine tingling it was to hear the crowd singing ‘Lippy Kids’ back to him. 

If you were there…


Elbow Tour 2014 – Newcastle Part 1

Hallelujah Morning

It’s a weird feeling and I don’t have it with anyone else. With any other band I’ve felt a distance and an untouchableness to them. Springsteen is immense, but I don’t want to meet him. He speaks to me through his music and he had helped me through that but I don’t walk in his world. Ok, I don’t walk at all, but you get what I mean. It’s seven in the bloody morning, gimme a break. 

Elbow aren’t untouchable. Their music and lyrics mean just as much and help just as much but there’s something extra from them. There’s the band up on the stage and theres the sold out arena crowd with their hands in the air as confetti falls from the ceiling. That band who practised in our church hall, I used to see the drum set up when I was there for cubs every friday night. Drums incidentally played by the lad who was lucky enough to have me in his class at playscheme. The same lad who sat with me in church one Christmas ready to read one of the nine lessons. 

How’s the band going? Really good he says, we just changed the name though.To what, says I; To elbow, says Richard. Elbow? Says me. Why? Richard tells me its Coz it’s the best word in the English language to speak, then goes on to tell me it’s from some detective bloke who sings or something. 

I tell him when he gets the music thing off the ground I’ll of course be on hand to write the words that review it all. I did and they are all here, I’ve been lucky enough to follow them a few times and I’m convincing myself here and now that it’s some kind if Bury solidarity that sees me leaving my lovely corner of the world, putting myself on a mega bus and heading for the north east. Yay, road trip. Enthusiastic. Mean it. I stick me headphones in and Guy starts singing and I realise it’d not going to be that bad.

Wait. No. Yes it is.

I’m on a bus like the one you used to go on trips with school. The wheelchair access lift springs out from the steps…from the steps! It’s like some kind of optimus prime shit, I kid you not. I’m at the front next to the driver, bollocks. Bet the cool kids are at the back. Don’t blame me if someone starts a sing a long about being ‘off in a motor car’ with fifty coppers after us or whatever.

I’m looking right down the stair well and about an hour into the journey the driver stops, comes over and tells me to put the extra safety belt on so that he doesn’t worry about me. Slightly worried now.

They tell you that you can use the toilet on these busses. They don’t mean me. Luckily I saw this problem coming and I didn’t drink. That being said nothing can prevent the ‘I need a wee’ dance when it starts; not even Guy singing about the free world. 

Tonight should be brilliant. I’m quite proud of them. 

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Puppet Rebellion – Chemical Friends EP

LAST NIGHT the wait was over and Manchester band Puppet Rebellion pressed the buttons that released their new EP Chemical Friends to the world. If you were waiting, welcome to the other side, you can now hear the fully realised album in all its glory. If you weren’t waiting and you have no idea who the band is then do yourself a favour, download the tracks and wake up your brain, it is new music and it has got people excited. Click to download the EP here.

The first track of the EP, the title track, hits you with an immediacy, an urgency that carries you along – it’s a bit dark and yet still catchy. Next The Greatest Lie Ever Told is an absolute tune, it has a beat that drives and melodic guitar that lays on top. The vocals are one thing ‘we don’t need you, I don’t believe you’ may well be in your head this time tomorrow and the singer goes from yearny and sweet to stinging and raw effortlessly, the drums and guitar work take this song up a level for me because when they come to the fore around the 2 min 30 mark, you’ll believe it. Simon has never sounded better vocally than he does on this track, or on this album generally.

The New Twenty is a chimey, chirpey upbeat track with a really cheeky melody.

There’s a feeling when you listen to the EP that it isn’t designed to slowly grow on you, it’s almost as if it doesn’t want to wait for that, it’s not going to politely sit and wait for you to mull it over and decide if it’s interesting or not – it’s going to grab you by the unmentionables and take you on a quality ride. Chemical Friends is fast and it’s furious, it’s melodic, it’s engaging and it sounds instant but the band have worked very hard and taken their time to put the strongest songs out there, it shows.

This is a very strong EP. Forward the rebellion!

Words © 2013 Simon Andrew Moult / MoultyMedia

The Art of Doing Nothing – Mark Owen

Out yesterday, The Art of Doing Nothing (Polydor), is Mark Owen’s fourth solo release and his first since 2005’s How The Mighty Fall and it deserves success. Mark is not looking to Robbie everyone’s socks off, he’s in a band more than capable of doing that – no, this new material find him seemingly at ease and going in new sound directions because it felt right to him. The lyrics go from personal to universal and its clear this is what he wants to say right now.

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The Script – #3 Polished Pop With No Edge But One Highlight

GIVEN TO SOUND finally tackles The Script and finds out that, third time around, Danny should put down the vimto and pick up a bottle of Jack. They’ve given you practically perfectly presented pop with about as much edge as a childproofed table. We don’t buy it, but your parents probably already have.

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