Archive for the ‘Live’ Category

Hands Like Houses: Dissonants Tour

Manchester Academy 3, Wednesday 25th May 2016. 

The first thing I ever hear from this band is the opening to I Am – It opens the set in Manchester and the recent album Dissonants. It has melody and enough frantic guitar and drum stuff for people to go bananas too. The live crowd were bouncing in unison to a song that is seemingly about not putting a band or a singer on a pedestal. The singer sings about  singers (and therefore maybe himself) having the power of influence over people through lyrics and how a lot of the time they are empty, hollow and won’t make any difference. By the end of the song the singer has convinced me “I am not the same, I won’t feed on fame…I will make a change it’s by my words and not my name.”

There is nothing wrong with demanding more from yourself and your peers, if their opening anthem is meant to engage with those down their watching from the floor, the band will make sure it’s genuine. Great opener, and the song that made me sit up and take notice.

Colourblind was next on the night and for some reason in that moment it felt like an old standard of theirs, I had no idea it came off their new album and I couldn’t hear any introduction it was given but just from the widespread acceptance in the room and the full on deep knowledge and love for it, I assumed it was an early track from an earlier album. I was wrong, it’s track three on their recent LP, so there you go. Musically it’s heavier than an angry elephant pissed off and hating its parents because it wasn’t allowed to trundle off to the circus. The heaviness might make you think it’s an angry song but it’s about acceptance and inclusion, no wonder the crowd had taken it as theirs so quickly.

Degrees of Seperation came at the half way point, it’s catchy and melodic and it seems to be about loneliness and missing people, something that a band from Australia currently in a cold and rainy Manchester might know plenty about.

The mosh pit at the Academy is by this point in full swing, or full mosh, if you will. My friend leans over to me and tells me that its infact pretty tame as mosh pits go, but as she talks I’m already figuring out a way of getting into it. It doesn’t happen though, for the rest of the night I have to be content with bouncing like a maniac by the sound/light desk.

Stillwater grabs me because it’s a bit slower than others, it doesn’t rise to the frantic blood pressure rising levels of some others but its relatively laid back stance works because you can pick out the singers words. This song seems to be about the innocence of childhood and how everything negative is learned and comes with age. How did we gain the world and lose the moment?

Momentary comes next in the set (and follows on the album too); it’s a lyrical high point of the concert for me but there’s some really nice guitar work cradling the words and a really good outro too. The words seem to be about how small we are in the grand scheme of things, a spark, a click, an echo, dust… it may come across somewhat bleak but the song is quite beautiful and uplifting; the view in the song is from someone wanting to make a mark and stop floating in the world.

Perspectives is the penultimate song of the live set and it is seemingly a song about not being understood, or not conveying your meaning correctly; All my life I’ve tried letting you inside, see the world through my eyes and I see is time I’ve wasted. It’s an unapologetic song and the frustration in the singer’s words comes across musically.

New Romantics is NOT about Duran Duran or any British 80’s band, I think its title comes from the poetry more than the hair bands BUT there is some bass and some keyboards that will grab anyone. On the surface it seems to be another song about someone trying to find themselves in their environment, with all the experience life gives a person. If you are looking for a screamy stompy moshy few minutes, this is the one and it’s an awesome choice to end a gig on. The whole crowd agreed.

There were songs from other albums performed too, but I wrote about the tracks from Dissonants because the seven here were the ones that compelled me to buy the studio album. I’ve not changed a word I wrote immediately after watching them live on a rainy Wednesday night in Manchester but having listened to the album in the two days since the concert I must say Division Symbols is a tune and Glasshouse is a piece of work and I couldn’t leave it out. I don’t know whether the song is about depression or anxiety but it rings those bells for me in the way the singer sings about storms, tides rolling in, and being trapped in darkness. You don’t have to be in the club to love the song, but if you know the feelings this song will speak to you.

All in all there’s a lot on Dissonants to pull you in. The album has songs of inclusion, isolation, longing for the past, longing for acceptance, wanting to be heard, being true to yourself and celebrating life. Hands Like Houses manage to present it all in a package that’s never too deep and dark, the stories on the album might be about struggles but listening to them is far from that.

If they seem like something that is outside your experience, trust me, they wont be as far as you think. If anything I’ve written here makes you think, give the songs a listen, they may speak to you. I’ll be seeing HLH live again and I look forward to it.

 

 

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This week right here in Manchester I had a return date with five boys from Boston. Longer ago than I care to remember I was in Manchester with thousands upon thousands of screaming girls; New Kids were my first crush band although I didn’t know that at the time. I remember being confused that others were confused; I couldn’t like New Kids? It was a girl thing was it? Well I got all merch’d up and believe me, they deserved every single one of my screams and every single one of my (Dad’s) pounds on souvenirs.

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Elbow Tour 2014 – London Set List

Posted: April 21, 2014 in Elbow Music, Live
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Wednesday 16th April 2014, The O2 Arena, London

This Blue World instrumental

Charge

The Bones of You

Fly Boy Blue / Lunette – trampoline. End of.

Real Life (Angel) When someone is hurting and you cannot do anything to help, all you can do is suggest they drink rather a lot.
The Night Will Always Win –  Same vibe as above, although I didn’t cry this time. Guy spoke of the how to cope when someone has died, the importance of missing them in a room with people who also miss them, often with a glass of the person’s favourite tipple. 
New York Morning
The Loneliness of a Tower Crane Driver
Great Expectations
The Blanket of Night – About how people fleeing their homelands and coming to this country are vilified as if they are pirates coming aboard your ship and stealing your gold.
Mirrorball
The Birds
Grounds for Divorce – obviously this one gets everyone off their arses and dancing.
Elsewhere Guys usual invitations to clap and wave along don’t seem to be as instantly accepted as other venues. But we do get a brilliant moment where he asks everyone to sing out names of lizards, I’m doing it no justice but seriously when you hear thousands of people sing back the word “Chameleon”, you have heard it all. It actually sounded a lot like a collective  Brian Blessed (Gordon’s Aliiiiive) impression.***

 

My Sad Captains

Beautiful things happen when Guy thinks about friends and alcolhol. Wonderful songs about lost opportunities, missed trains and absent friends can result. Long may Guy Garvey continue to ponder and look and muse, and long may this band continue to give his words the music to float on.

Starlings

Lippy Kids

One Day Like This

All these songs mean something different, I can tell you that exactly but I don’t think that is what it’s about, it’s about what they mean to everyone who hears them on a personal level. It doesn’t really matter what song was written about a girl on a bus who didn’t even realise, it resonates with people because we’ve all tried to act like we haven’t dreamed of what if. We’ve all  been suddenly hit with romance like the horn crashes in Starlings and we have all felt what happens when that love goes away.

As this is the last night of the tour this will probably be the last word I say on the album too. It got to number one you know. Isn’t that good? Tour wise, they went with the last three albums and not so much with the first three but the songs they chose fit the theme of the tour (and the Take Off and Landing… album as it happens; friendship, love, past, future, hope and loss and regret. Never too much of one, never too little of the other, balance;

The take off is just as important as the landing, after all.

There will be more from Eden in the summer but for now, I’m knackered. Hello Prestwich, hello bed.

*** If you know who that is, good. If you don’t, that’s fine but you should probably watch more telly.

Elbow Tour 2014 – London Part 2

Posted: April 21, 2014 in Elbow Music, Live
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The O2: Wednesday 16th April 2014

Hard as it may be to admit this, the O2 is better than the Nynex, the MEN, the whatever the Manchester Arena is called now. It just is, the view is better even though you are further back, apparently the seats are nicer too but I brought my own so I can’t really say. Set list wise there it was much the same though with this being the last night everyone was determined to go out with a bang (and balloons again, obviously).

Guy got the crowd to do the Mexican and reverse Mexican wave again, it looked amazing as it did in Manchester. It seemed a little bit harder to get interaction from the crowd here though, in terms of clapping or singing back to Guy it’s possible they weren’t as forthcoming as elsewhere in the tour. Grounds for Divorce still got them dancing though, One Day Like This brought the curtain down and the aforementioned balloons,

Musically the boys are as tight on stage as they are on record, and the vocals are perfect. Live too, vocals that were probably layered by just Guy in the studio, are sung by a combination of Mark, Craig, Richard and Pete on stage so you get a real sense of performance.

Rather than give me a sense of repetition, this tour has given me more appetite to see them live at the festivals this summer.

That’s the landing sorted. See you in a few months. Now, how do we cross that bridge? Taxi?

Elbow Tour 2014 – London Part 1

Posted: April 21, 2014 in Elbow Music, Live
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This Blue World: Wednesday 16th April

Whoever decided to try and get me somewhere to travel before noon, is either brave or stupid. The person in question is very important to me and has been responsible for quite a huge amount of the happiness my life has seen, so it’s not stupid…. must be brave. And we are going to that London, where folk stare at me more than usual and not for the same reasons as at home either, in London I found that folk’ll stare at you for saying hello and appearing happy.

A few hours into London and the happy bouncyness drains from me. It’s warmer down south, so I’m going around in my Elbow t-shirt (free advertising, as I was later told by Jupp). No wonder everyone looks miserable here though, everyone’s in a rush to get somewhere and no one has a clue how to get their. Also, I’ve never seen so many people on one side of the road waiting to cross, it’s like some epic Abbey Road remake where the four Beatles have been replaced by thirty tourists with cameras, add a few proffesional types with phones stuck to their ear.

Wonder if the Queen is in. Bet she knows the way to the Ibis. For the record their are loads of Ibis hotels here and we must have found all of them before finding the one we needed.

Apologies if you were on the overground, or the underground (I cant remember which) and you saw a crabby bitch of a Bury lad and a blonde with a map. We had our own conversation and I stopped at one point to find a bemused German couple staring at me with a half smile. Of all the people we met today, those two probably had the clearest perception of what was going on.

Do you have any idea how hard it is to shift around London? It’s pretty simple as it goes, until you ask people, then it gets harder. It turns out that being ‘from there’ gives you no geographical advantage whatsoever. We did well, we only got lost twice, but we asked the transport people who are supposed to know these things and one fella was more interested in my map than he was in telling us how to get places. My map was apparently better than the ones he gives out because it was a wheelchair access of the tube. Dude, love that you haven’t seen the map before, I mean, you work for the company so what’s that about but… I’m very tired I’ve been wheeling around this place for hours and if we don’t get to the hotel soon I’m going to miss Jimi.

The boys got down here earlier in the week so they could do Jools Holland. Jools had some weird pronunciation of the bands name though, he kind of stressed the second part and it sounded like some new wave weird Spanish one man band; el bow.

They performed My Sad Captains and New York Morning and Guy wore his glasses. They recorded Real Life (Angel) and Charge and I think they are going to be on later in the week or month. At this point I have no idea, I’ve gone over too many cobbles and my mind is mushed.